We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. Recording A Rock Snare Drum Using A Blend Of Three Microphones - Free Tutorial. Overall these are looking pretty close too, but there is a bit of a difference in the 3 kHz and 9 kHz areas as well. Since the release of the WA-87 in 2016 we’ve learned a bunch more about microphone manufacturing, and we’ve proven that we can shatter the industry’s quality expectations at affordable prices. The WA-87 R2 works brilliantly on vocals, drum overheads, guitars, piano, auxiliary percussion, brass, strings, and more. It was our first microphone and a verifiable hit, and in recent years we’ve followed it with many other successful and ground-breaking designs. Three polar patterns (cardioid, omni, and figure 8) make sure you’re covered for a wide variety of applications, and an 80Hz high pass filter reduces low-frequency rumble if needed. That being said, the fullness of the Peluso was my preference in this case. It is Warm Audio’s first microphone. The Warm Audio WA-87 is a side-address, transformer balanced, multi pattern condenser microphone. Let’s see if that is coming from the 47’s or the 14’s. The graphs are pretty similar, but the biggest difference I noticed during the tracking sessions was in the low range. The Warm Audio WA87 was launched in 2016 as Warm Audio’s first microphone, and it quickly became an instant success story. Copyright (C) 2020, http://www.pro-tools-expert.com/default-image.jpg, Plug-in Subscription Plans - Free Calculator, Large Diaphragm Condenser Mics As Stereo Drum Overheads - Expert Test, Warm Audio Announce BUS-COMP - A New Twin Channel VCA Bus Compressor, Winner - A Warm Audio WA-251 Tube Condenser Microphone Worth £810. We also employed the same capsule the WA-87 uses, which was designed to the exact specifications of the ones found in the vintage mics. That experience drove us to see if we could improve the WA-87 in tangible ways without having to raise the price, and the result is the new WA-87 R2 (Revision 2). Not only that, it’s the same price as the original WA-87, so you can afford to have several in your mic locker! Finally, thank you to the artists that came in to record the examples for these articles: Bryan Drewyor, Kaia Kalise, Sam Ness, and Sarah Pray from indie folk band Carrellee. You could argue that this just sets the WA‑87 up to fail, because … We’re ecstatic to bring you the result – in short, the new WA-87 R2 is bigger, bolder and just plain better! I also added a Waves PAZ Analyzer insert on each track so I could screenshot the frequency response results. The WA-87 proudly uses our own Warm Audio WA-87-B-50V custom capsule reproduction stylized after the classic K87 dual backplate/dual diaphragm capsule found in the early ‘87 microphones. Let’s check out some more samples to see how the other mics stack up to their vintage counterparts. The new mic's frequency response is said to even closer match that of the Neumann U87, and its output level has also been increased. The switchable -10dB pad comes in handy when you want to record extremely loud sources and not overload the internal electronics. Finally lets take a look at the guitar amp examples. Most of the difference I’m hearing between the Peluso and the WA-47 is at around 10 kHz. Since then, the WA87 … Anyway, here are the graphs along with my observations starting with the piano and vocal examples from Bryan Drewyor and Kaia Kalise…. Large diaphragm studio condenser microphone, with a faithful reproduction of the original vintage 87-style circuit, ALL DISCRETE PREMIUM COMPONENTS, INCLUDING A NOS FAIRCHILD TRANSISTOR AND WIMA/NICHICON CAPACITORS, WA-87-B-50V capsule—reproduction of classic dual backplate (four-wire termination) K87 capsule, Three polar patterns: cardioid, figure-of-eight, and omnidirectional, SPL: .5% THD @ 125dB (without pad), 132dB, Diaphragm: 6-micron thickness, gold-sputtered membrane, NOS mylar (PET film), Included accessories: wooden storage case, hard mount, and shock mount. You can learn more about how the tests were conducted in the first article and also listen to the samples too. For these more acoustic-based genres, I actually like this slight dip in the low frequencies since this is an area I tend to pull back with EQ or multiband compressors a bit anyway. In the Warm Audio WA-87, there wasn’t quite as much response in the 60 Hz to 120 Hz range compared to the U87 Ai. The improved Cinemag USA output transformer provides a slightly increased output level and improved frequency response, Warm Audio says. There’s an 80 Hz high pass filter to get rid of low-frequency rumble, and a switchable -10 dB pad for recording loud sources. Nonetheless, Warm Audio … With in the bass frequencies and the mid range frequencies, the WA87 is also better … Value. The Warm Audio 47 jr had a dip in the high end which was suited nicely for this amp. The WA-87 R2 uses a custom-wound Cinemag USA output transformer like the original WA-87 did, with the new version providing a slightly increased output level and improved frequency response. In this table we reveal which microphone was used for which examples and the results of each poll showing which example you prefered…. In the Warm Audio WA-87, there wasn’t quite as much response in the 60 Hz to 120 Hz range compared to the U87 Ai. Next up lets take a look at the guitar and vocal examples…. The WA-87 was conceived as a recreation of Neumann’s long-discontinued U87i, thought by many audio engineers to be more desirable than Neumann’s current U87ai. That’s my thoughts and observations, but what about you? One is a tube (the Peluso), and the other is a transformerless condenser (the WA-47 jr). For these more acoustic-based genres, I actually like this slight dip in the low frequencies since this is an area I tend to pull back with EQ or multiband compressors a bit anyway. The Warm Audio WA87 is a winner compared to other microphones such as the Neumann TLM 103. The Peluso has a boost in that range so I usually avoid this mic on sibilant singers in favor of something darker. Using available knowledge of the U87i circuit, Warm matched component values across the board using WIMA film capacitors, polystyrene capacitors, tantalum capacitors, and Fairchild FETs. No matter what else you’ve got in your mic locker, the WA-87 R2 is sure to become one of your favorite go-to microphones! In other Warm Audio news, the company's popular API-inspired WA12 … On par with other Warm Audio products, the WA-87 holds a very high value in comparison to its quality. Everything about the WA‑87’s marketing demands that it be judged primarily on how well it mimics the Neumann U87. Does It Matter? For the price point, this is an incredible mic. Frequency Response. The WA-87 is based on a classic 60s circuit that is widely considered to be one of the greatest studio microphones ever designed. Born out of need . The frequency response curve is not the same as the original Neumann U87, but using an eq to offset the boost in the high frequencies on the WA87 will get you pretty close. Again, these look really close, but we can see (and hear if you check out the examples) that the C 414 EB has a touch more top end. Warm Audio WA-47jr on the left an Peluso 22 47 LE on the right. It was built in effort of creating a clone of the popular U87 microphone from Neumann, while maintaining affordability. Mics that sound this close to their highly coveted, high quality counterparts, but with a cheaper price tag are a no-brainer, especially for remote recording. We can now reveal which microphone was which for each example and share the results from each of the polls. Do share your thoughts about which microphone you prefer and why in the comments below. The low end is a bit more even between the two of these mics. Nowadays, it seems only fair to crown Warm Audio the king company, in … Warm Audio is a gear manufacturer that strives to emulate the sound quality of vintage high-end gear, but with a much smaller price tag. The frequency response of the K870 capsule is specified within a tolerance of ±2dB, so in theory, two Neumann capsules could differ by as much as ±4dB across the frequency range and still be within factory specs. In the previous article we asked you to listen to the samples and rather than tell you which recording has been made with which microphone, we presented the examples in a blind comparison and asked you to tell us which example you prefered. The result is an incredibly accurate sonic replica of arguably the widest-used …

warm audio wa87 frequency response

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